About me and my work

Most of the work in her recent project has evolved around perceptions of certain colours as well as trying to make sensory art accessible. After careful research online, in journals and in person encounters Madaline had discovered a new way of looking into this concept of art. She have found a love for sensory art, tactile art in particular. Still looking into colour theory however, from a different take and view point. 

As an artist still developing her practice and finding my core, Madaline has found herself attracted to many mediums and materials which she is excited to experiment with. Looking into the works of Kladek and Burtuszova, the works they produced in the 70's for special needs children has fascinated her and in a way inspired Madaline to create the work she does. Not only out of enjoyment but, to be able to give back to the world in a creative way by making art inclusive to anyone. 

Madaline has taken her practice on in a different way to her previous works, full of colour and brightness. Her colour palette is now more muted and consists of neutral tones, she's have found herself really looking into sensory issues and artworks being considered over stimulating to people with special needs or certain sensory overloads. Knowing her work can be appreciated and "seen" by anyone has helped her really enjoy making the work and develop her practice. Madaline has been working towards making more tactile art and to encourage people to pick up the art and in a way play with it, stimulate the senses. The recent series of work she has produced "Hooked on a feeling" is a play on words using the song by Blue Swede and Björn Skifs. I want to entice and enrich touch within my work" - Madaline de Laszlo.

While looking into other artists she has enjoyed looking at textures and different shapes to incorporate into her pieces. She has evolved her core research and artwork into sensory, however Madaline looks forward to see how her practice can develop further and grow, artwork should be inclusive to all wether you can see the colours or not.

My work is up for interpretation and "If people don't understand it then that's okay" - Tom Lovelace.